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Host, The Frame
John Horn is the host of The Frame. He previously was a staff writer at the Los Angeles Times, where he covered the film business for more than a decade. Before joining The Times, Horn was a senior writer at Newsweek magazine, a senior editor at Premiere magazine, an entertainment reporter for The Associated Press and a television reporter for the Orange County Register. He is an honors graduate of the University of California, Berkeley, with a degree in Dramatic Arts. He is a former member of the vestry at All Saints Church and a former member of the boards of the National Arts Journalism Program and Union Station Homeless Services.
Stories by John Horn
The characters in the Netflix series are snobs who behave badly. The show's co-creators hope they're relatable enough to make up for it.
The co-stars of the current Broadway adaptation of George Orwell's dystopian story understand why audiences are having a tough time sitting through the show.
The thrill of the annual showcase is that it's a chance to see the very first staging of a new work that could be a Broadway hit.
The executive editor for the platform, Kathleen Lingo, says the project allows audiences to absorb news in a different way.
Arrested at 16, Browder spent three years at New York's Rikers Island jail, much of it in solitary confinement, without ever being convicted of a crime. Two years after his release, he took his own life.
Various U.S. presidents have been depicted as the doomed Shakespeare character. A New York Times theater critic says many people are misinterpreting the play.
Trey Shults says writing the movie helped him confront his fear of death and to deal with the grief of losing his father.
The Writer's Guild contract negotiations came down to the wire, and now it's time for SAG-AFTRA to step to the negotiating table.
Netflix got booed by the French press, filmmaker Sofia Coppola made history, and Jessica Chastain's comments about women in film went viral.
Robin Swicord knew she could make the film affordable and direct it herself. It was a strategy she employed after a big budget film she'd written was taken away from her.
What does a war movie look like in the Trump Era? One of the first is “War Machine” from Australian writer/director David Michod.
Before Netflix announced there would be no second season of the ambitious and expensive series, the filmmaker said he would bow out.
The documentary examines how The Grateful Dead found its sound and community, and made the charismatic Jerry Garcia a reluctant leader.
Following the Manchester bombing, NPR music critic Ann Powers wrote, "Young girls loving music, whatever kind of music, are truth. I believe in them and nothing can annihilate their truth."
The documentary investigates a mysterious murder, but then finds a bigger story about sexual abuse and the power of the Catholic Church in Maryland.