Deborah Feldman's memoir, 'Unorthodox,' about leaving the Satmar Hasidic community in Brooklyn, inspired the Netflix series of the same name. Growing up, she wasn't supposed to pursue an education or career, and, at 17, she entered into an arranged marriage with a man she'd barely met. Her departure from the community earned the scorn of Satmar leaders and forced a break with family members she'd known all her life.

Ken Tucker reviews Julien Baker's third studio album, 'Little Oblivions.'

Nobel Prize-winning novelist Kazuo Ishiguro's new book, 'Klara and the Sun,' is set in the future and has an artificially intelligent narrator. "I wanted some of that childlike freshness and openness and naivety to survive all the way through the text in her," he says.

'New Yorker' writer Jane Mayer talks about the criminal investigation into whether Donald Trump engaged in tax, banking and/or insurance fraud. If convicted, he could be sentenced to prison. "The thing that's most complicated about this case and makes it really hard is that in order for this to be a criminal act, they have to prove that there was criminal intent — that Trump intended to break the law and knew what the law was," Mayer says.

The Nobel Prize-winning novelist's new book, 'Klara and the Sun,' is set in the future and has an artificially intelligent narrator. "I wanted some of that childlike freshness and openness and naivety to survive all the way through the text in her," he says. We talk about his writing process, hitchhiking in the '60s, and his family history in Nagasaki.

Ken Tucker reviews Julien Baker's third studio album, 'Little Oblivions.'

'New York Times' tech columnist Kevin Roose says we've been approaching automation all wrong. "What we should be teaching people is to be more like humans, to do the things that machines can't do," he says. We talk about misconceptions about A.I, how algorithms decide who gets government assistance, and which jobs are less likely to be automated. His new book is 'Futureproof.'

Also, Justin Chang reviews the film 'Quo Vadis, Aida?' about the legacy of the Bosnian war through the eyes of a U.N. translator.

Deborah Feldman's memoir, 'Unorthodox,' about leaving the Satmar Hasidic community in Brooklyn inspired the Netflix series of the same name. Growing up, Feldman spoke Yiddish and was discouraged from speaking or reading English at home. She wasn't supposed to pursue an education or career, and, at 17, she entered into an arranged marriage with a man she'd barely met. Her departure from the community earned the scorn of Satmar leaders and forced a break with family members she'd known all her life. "I left on faith," she says. "I think it's important to say that, because where I come from, faith is everything. And when you leave this community, you also leave on faith — because that's how you've been trained to take risks. I sold my jewelry. I sold a book proposal. I had enough money to make a start."

The bandleader of 'The Late Show with Stephen Colbert' joins us from his home piano where he plays music he wrote for the Pixar movie 'Soul' and songs from his new album 'We Are.' Batiste has been playing pop-up shows at Black Lives Matter protests, vaccination sites, and voter registration events.

Sleight-of-hand master Derek DelGaudio explores themes of identity, honesty and the emotional cost of keeping secrets in the memoir, 'AMORALMAN.' His one-man show 'In & Of Itself' is now available on Hulu.