If former Minneapolis police officer Derek Chauvin’s case for the death of George Floyd goes to trial, there will be this one, controversial legal principle looming over the proceedings: The reasonable officer.
In this episode, we explore the origin of the reasonable officer standard, with the case that sent two Charlotte lawyers on a quest for true objectivity, and changed the face of policing in the US.
This episode was produced by Matt Kielty with help from Kelly Prime and Annie McEwen.
Producer Tracie Hunte stumbled into a duet between Nina Simone and the sounds of protest outside her apartment. Then she discovered a performance by Nina on April 7, 1968 - three days after the assassination of Dr. Martin Luther King Jr. Tracie talks about what Nina’s music, born during another time when our country was facing questions that seemed to have no answer, meant then and why it still resonates today.
Listen to Nina's brother, Samuel Waymon, talk about that April 7th concert here.
Covid has disrupted the most basic routines of our days and nights. But in the middle of a conversation about how to fight the virus, we find a place impervious to the stalled plans and frenetic demands of the outside world. It’s a very different kind of front line, where urgent work means moving slow, and time is marked out in tiny pre-planned steps. Then, on a walk through the woods, we consider how the tempo of our lives affects our minds and discover how the beats of biology shape our bodies.
This episode was produced with help from Molly Webster and Tracie Hunte.
There are few musical moments more well-worn than the first four notes of Beethoven's Fifth Symphony. But in this short, we find out that Beethoven might have made a last-ditch effort to keep his music from ever feeling familiar, to keep pushing his listeners to a kind of psychological limit.
Big thanks to our Brooklyn Philharmonic musicians: Deborah Buck and Suzy Perelman on violin, Arash Amini on cello, and Ah Ling Neu on viola.
In 2007, Bruce Robison’s robot submarine stumbled across an octopus settling in to brood her eggs. It seemed like a small moment. But as he went back to visit her, month after month, what began as a simple act of motherhood became a heroic feat that has never been equalled by any known species on Earth.
This episode was reported and produced by Annie McEwen.
Special thanks to Kim Fulton-Bennett and Rob Sherlock at the Monterey Bay Aquarium Research Center. And thanks to the Indianapolis Chamber Orchestra for the use of their piece, “Concerto for Bassoon & Chamber Orchestra: II. Beautiful.”
Our old friend Lulu Miller — former Radiolab producer, co-creator of Invisibilia — has been obsessed by the chaos that rules the universe since long before it showed up as a global pandemic, and a few weeks ago, she published a book about it. It’s called Why Fish Don’t Exist. It’s part scientific adventure story, part philosophical manifesto, part chest-ripped-open memoir. Jad called her up to talk about how an obscure 19th century ichthyologist with a checkered past helped her find meaning in the world, and what she means when she says fish aren’t real.